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Of course, that doesn’t mean required much in the way of actual acting; its storyline, about a guild of constantly double-crossing assassins who draw their recently assassinated colleague’s son into a web of murderous intrigue, is really only there to connect the many action sequences.
But oh, what action: even by the super-caffeinated standards of post- serves up an impressive stack of visual thrills.
That was enough for filmgoers, who generated nearly 0 million in worldwide grosses — and most critics agreed with the popcorn-gobbling masses, granting a Certified Fresh rating on the strength of positive reviews from scribes such as the New York Post’s Kyle Smith, who called it “A 12-armed heavy-metal drummer of a movie, kicking and flailing through two hours of impossible.” , combining live action and computer-generated effects in new and exciting ways.
Adding to the gee-whiz factor was Conran’s gleefully retro storyline, which pitted the heroic Sky Captain (Jude Law) and a Royal Navy led by the eyepatch-rocking Francesca “Franky” Cook (Jolie) against the giant robot army of the nefarious Dr.
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In 2008, after lending her voice to the animated comedy .This wasn’t a reflection of the movie’s quality, though; most critics agreed that this dramatization of the search for journalist Daniel Pearl, who was kidnapped and brutally murdered by terrorists in 2002, did justice to its tragic tale.Pearl’s wife Mariane, who wrote the memoir is based on, personally chose Angelina Jolie to play her in the film — and though some critics carped that Mariane’s biracial heritage should have precluded Jolie from taking the role, the majority applauded her strong performance, among them James Mottram of Film4, who wrote, “If Winterbottom struggles to shoehorn his documentary style into the form of a thriller, Jolie has no problems in bringing Mariane to life with a vibrant and vital turn.But if filmgoers came for glimpses of real-life sparks, they stayed for the snappy one-liners in Simon Kinberg’s script, director Doug Liman’s well-staged (albeit thoroughly ludicrous) action set pieces, and the sheer spectacle of two very attractive people dispatching bad guys and blowing stuff up while they decide whether they want to stay married or kill each other.It certainly isn’t high art, but the movie has a fizzy charm that Roger Ebert summed up by writing, “What makes the movie work is that Pitt and Jolie have fun together on the screen, and they’re able to find a rhythm that allows them to be understated and amused even during the most alarming developments.” In spite of a cast of marquee-lighting veterans that included Sean Connery, Dennis Quaid, Madeleine Stowe, and Ellen Burstyn, this ensemble romantic dramedy sank virtually without a trace after it bowed in December of 1998.